The Creative Potential of Historical Native American Drawings
Artist, writer and educator Mira Schor elucidates the liberating potential emerging between the contemporary and historical paintings on show at the Armory 2017
ca. 1880
buffalo hide, red, blue, black and yellow paint
width: 16 ½"
Inventory # P3499
Sold
Private collection, New York State
Donald Ellis Gallery catalogue, 2010, pg. 37
Museum of the American Indian, Cat. No. 10/8191 - See: Dockstader, Frederick J. Indian Art In America. New York: Promontory Press, pl. 170
Shields were among the most important possessions of a Plains warrior in the 19th century. Like personal medicine, they were associated with particular spirit animals or patrons from which the warrior derived power and protection throughout his life.
A precise interpretation of the pictographic representations on the present shield is difficult. The central design and surrounding figures appear to draw references to celestial constellations. For those not initiated into the knowledge, the full meaning of the imagery remains hidden. The shield’s public display thus serves to demonstrate status, rights, obligations, and privileges, thereby expressing the power of its owner.
Although we lack a precise collection history, stylistic features as well as the method of manufacture would suggest a Southern Plains origin. The present shield bears strong resemblance to a number of examples with known Apache collection history, one of which is now in the National Museum of the American Indian, Washington D.C. In addition, a 19th-century albumen photograph depicts Chief San Juan of the Mescalero holding a strikingly similar shield and cover.
Artist, writer and educator Mira Schor elucidates the liberating potential emerging between the contemporary and historical paintings on show at the Armory 2017
Artsy editors highlight 19th century Plains Indian art on view at Donald Ellis Gallery as one of the twenty best presentations at the Armory Show 2017
$35.00 USD