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Shield depicting a pronghorn antelope with power lines emanating from its forehead | Donald Ellis Gallery

Shield and Cover

Crow
Northern Plains

ca. 1870

buffalo hide, deerskin, red, yellow and blue paint

width: 22"

Inventory # P3409

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PROVENANCE

The Wellington Collection, Long Island, NY

EXHIBITED

The Metropolitan Museum of Art, February 28 - May 27, 1984

PUBLISHED

Pleasing the Spirits, Ewing, Ghylen Press, 1982, pl. 156
“Native American Exhibition at the Metropolitan Museum of Art”, Maurer, American Indian Art Magazine, Autumn 1982, pg. 36
Pearlstone Mathews, Zena. Symbol and Substance in American Indian Art. New York: The Metropolitan Museum of Art, 1984, pg. 20, pl. 11
Donald Ellis Gallery catalogue, 2007, pg. 33

A shield and cover were among the most prized possessions of a Plains warrior in the 19th century. Upon entering adulthood, young braves would go on a vision quest during which a particular patron, usually a spirit animal, would reveal itself in a dream and lend an adult name to the individual. The shield's deerskin cover was commonly painted with imagery associated with the patron, from whom the warrior derived power and protection throughout his lifetime. 

The present example depicts a male pronghorn antelope with power lines emanating from its forehead. The pronghorn’s qualities of courage, inquisitiveness and fleetness of foot would have been much revered qualities for a warrior. A warrior's shield also articulated status, rights, privileges and obligations through the partial secrecy surrounding the full meaning of its imagery. This complex interplay between a sophisticated visual language and concealed knowledge conveyed the great power of an individual to a wider audience.

Though fixed tribal attributions are difficult to maintain, this shield cover bears a strong stylistic resemblance to a number of examples with known Crow collection history. Another shield cover almost certainly created by the same hand was collected by the renowned anthropologist Robert Lowie, and is now in the American Museum of Natural History. It is possible that a warrior created several shield covers with similar imagery over the course of his lifetime, as some might have been lost or damaged in combat, sold or surrendered to authorities.

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