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Portrait Mask

Tsimshian, Northern British Columbia, ca. 1840


Learn more about Masks, Frontlets and Clan Helmets

The masking traditions of the Northwest Coast First Nations are rich and diverse. They range from complex articulated transformation masks of the Kwakwaka’wakw, which change from one outward appearance to another, to Haida portrait masks carved with a naturalistic quality. The majority were made to be worn on the face, while some figures of particular animals or mythological beings were so large that they were worn on the back. Danced at important social occasions such as the potlatch, masks enacted particular mythological scenes, relayed the oral history of a particular family or clan, or the history of the people it belonged to. Displaying portraits of specific individuals and/or supernatural beings, the performances dramatized communal and familial histories as well as representing historical or mythical events. While most masks were the property of hereditary chiefs and important family members, others belonged to shamans, assisting them in their work by calling upon the spirits of deceased clan or lineage elders and high ranking individuals from other social groups. 

Headdresses frontlets and clan helmets were the principal form of ceremonial headgear on the Northwest Coast in the nineteenth century. While frontlets were worn on the forehead, clan helmets were typically hollowed out on the underside to sit directly on top of the head, having evolved from classic war helmets worn by Northern Northwest Coast peoples in the 18th century. Worn on important social occasions by prominent members of a clan or family, both clan hats and frontlets displayed inherited family crests while communicating clan status and associated privileges, rights and obligations. These headdresses were often elaborately embellished with sea lion whiskers, animal fur, and often ermine tails. In addition to rich painting in red, blue and black, many examples were decorated with fragments of abalone shell or mirrors, materials deemed particularly significant by First Nation peoples. The inlay would have reflected firelight and animate the headdress frontlet when worn during notable social occasions.


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Results: 191

Raven Rattle N4375

Raven Rattle

Tsimshian
Northern British Columbia
ca. 1840
Inventory # N4375
Bentwood Chest N4387

Bentwood Chest

Haisla or Coast Tsimshian
Central or Northern Coast, British Columbia
ca. 1840-1860
Inventory # N4387
Oystercatcher Rattle N4337

Oystercatcher Rattle

attributed to Kadjisdu.acxh II
Tlingit
Southeast Alaska
ca. 1770-1790
Inventory # N4337
Armour N4369

Armour

Tlingit or Tsimshian
Southeast Alaska or Northern British Columbia
ca. 1800-1830
Inventory # N4369
Blanket Chest N4398

Blanket Chest

attributed to Du’klwayella (Captain Richard Carpenter, 1841-1931)
Heiltsuk
Central Coast, British Columbia
ca. 1900
Inventory # N4398
Horn Bowl N4402

Horn Bowl

Haida or Tlingit
Northern Northwest Coast
ca. 1800-1830
Inventory # N4402
Antler Club CN4313-123

Antler Club

Tsimshian
Northern British Columbia
18th century or earlier
Inventory # CN4313-123
Pipe Bowl N4385

Pipe Bowl

Tlingit
Southeast Alaska
ca.1830
Inventory # N4385
Bent Corner Bowl CN3615

Bent Corner Bowl

Haida
Haida Gwaii, British Columbia
ca. 1840–1860
Inventory # CN3615
Amulet N4372

Amulet

Tlingit
Southeast Alaska
ca. 1840
Inventory # N4372

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