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winged object

Old Bering Sea II
St. Lawrence Island, Alaska

100 – 300 AD

marine mammal ivory
length: 5 3/4˝

Inventory # E4120-17

Please contact the gallery for more information.


PROVENANCE 

Excavated at the Kiknig site in the summer of 2001

Martin Kogassagoon, Savoonga, AK

Bill and Carol Wolf, NJ

Published

Art of the Arctic: Reflections of the Unseen (Ivories), Ellis, London, Black Dog Publishing, 2015, pg. 57, pl. 42

Related Examples

The State Museum of Oriental Art, Moscow, cat. no. 115Dp-IV – See: Leskov, A.M. and Muller-Beck, H. Arktische Waljager vor 3000 Jahren: Unbekannte Sibirische Kunst. Munich: v. Hase & Koehler Verlag, 1993, pg. 120, pl. 76.

For an example with very similar design layout, flipped top to bottom see: Alaska State Museum – See: Larson, Dinah and Terry Dickey. Setting It Free: An Exhibition of Modern Alaskan Eskimo Ivory Carving. Fairbanks: University of Alaska Museum, 1982, pg. 11, pl. 99.

Essay

ESSAY

The toggle harpoon of the prehistoric Eskimo is a marvel of engineering. At the front is an ivory point, usually fitted with a sharpened stone blade. The point is attached to a small ivory fore shaft, which allows it to pivot after striking the quarry, thus burrowing deep into the flesh of the animal. The fore shaft is fitted into a cylindrical ivory socket piece which in turn is fastened to the front of a large wooden shaft. At the rear of the shaft, an ivory counterweight or “winged object” is often attached.

Over the course of approximately 1000 years spanning several different cultural periods, the basic design of the counterweight underwent a sequential evolution of design. What began as a more simple block device in the Okvik period (200 BC – 100 AD) evolved during the Old Bering Sea III phase (300 AD – 500 AD) into a highly developed art form, as demonstrated by the beautiful example illustrated here.

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DANCE MASK CE4299

Cup’iq
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ca. 1900
CE4299
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UNTITLED E4244

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